Cotton Growers: How Not to Mix Music and Brands.

by Peter Holmes on August 30, 2010

An example of how not to mix brands and music. In both examples, The Cotton Growers (a heavily, $2B subsidized industry in the U.S.) hired Colby Caillat and Leona Lewis to sing jingles about Cotton.

What a waste of talent, opportunity and potential attraction to the brand/commodity. Not only is it contrived, the myopic brand centred egotism of those who put these spots together is seriously out of sync with reality. Who the hell wants to sing about cotton, let alone put it on their playlist and share it with friends? Dumb.

And a moderately, self-serving example of what did work.

In the above example, an unknown singer was used to sing an originally written song for the commercial. The full length song was picked up and distributed by Universal Music and a year later is still being played on top 40 radio across Canada. A poster from the campaign is featured in the movie “Scott Pilgrim versus the world.” Credit Canada more than achieved all of their marketing objectives. The unpaid, free media spread certainly helped. Everywhere the song went the brand went along with it.

Posted via email from Flatacre

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Smile or Die.

by Peter Holmes on August 22, 2010

Nice talk dealing with the mentoring, life coaching grifters. The secret? You’re a sucker if you buy this stuff.

Posted via email from Flatacre

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Interesting Ambigram Examples.

August 20, 2010

http://www.johnlangdon.net/ambigrams/# Posted via email from Flatacre

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Friday Ephemera: “You and Your Johnson” 70′s TV Spot.

August 20, 2010

via youtube.com David Ogilvy said, “If you have nothing to say, sing it.” I reckon the creators of this commercial did have something to say, it just took a while for the meaning to kick in. Posted via email from Flatacre

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Pachelbel’s Canon played on hydraulophone.

August 17, 2010

via youtube.com and wired.com Next time you splash around at the Six Flags water park you may be doing something significant — like contributing to research on computing. A fish-shape musical instrument that spouts water jets into which users dip their fingers is being hailed as an example of a new user interface. The instrument, [...]

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Is Social Media Altruism Starting to Wear Thin?

August 17, 2010

Finally, some common sense: "The downside of attending to the emotional life of groups is that it can swamp the ability to get anything done; a group can become more concerned with satisfying its members than with achieving its goals." – Clay Shirky Posted via email from Flatacre

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The Empathic Civilization: Does Empathy Drive Everything We Do?

August 9, 2010

via reasonpartners.com In this mind blowing presentation, Jeremy Rifkin talks about the discovery of mirror neurons which cause empathy between beings (not just human beings). Historically, human beings are all soft wired to be empathetic towards those within a defined group, tribe, religion, nation. The first drive is to belong. Those outside the group are [...]

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The Creative Crisis and the Relentless Pursuit of Mediocrity.

August 8, 2010

We’re in a technological era like no other before. Yet, I’m not the only one who has noticed an opposite decline in creativity. In 1958, E. Paul Torrance pioneered a creativity evaluation system. Though not without error, these tests have predicted and projected children’s creative accomplishments as adults with enough accuracy to remain the standard [...]

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The Reinvention of Sound: Linear to Non-Linear.

August 8, 2010

via ted.com The understanding of sound continues to be one of the more interesting and progressive areas of science. In this video, inventor, Woody Norris, talks about an invention that projects the sound waves into the air and doesn’t decay with distance. It can also be precisely targeted, so that one person can hear it [...]

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A Most Bizarre Orchestral Performance: John Cage “4’33″

August 8, 2010

via youtube.com Ok. This is one of the most bizarre works and moments in symphonic performance. It’s called 4’33″ by John Cage. It consists of three movements performed over 4 minutes and 33 seconds. The entire orchestra, conductor and all, remain silent for each movement and therefore, the entire length of the piece. Piece? The [...]

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